ISA Call for Papers on the theme of ‘Critical Thinking in Tourism Studies’ for Tourism, Culture and Communication
We are pleased to
announce a NEW Call for Papers on the theme of ‘Critical Thinking in Tourism
Studies’ for Tourism, Culture
and Communication, managed by Guest Editors Rodanthi Tzanelli,
University of Leeds, UK and Maximiliano
Korstanje, University of Palermo, Argentina. This Special Issue is a COLLABORATIVE PUBLICATION between TCC and ISA
(The International Sociological Association) via the latter's Research
Committee (RC50) on 'International Tourism' Commissioning Editors are
Keith Hollinshead (TCC) and Rukeya Suleman (RC50 / ISA).
The importance of criticality in the development of
different analytical traditions in tourism studies is indisputable. Whether
they focus on Marxist-inspired critiques of industrial production, in which
tourism is a ‘consciousness industry’ (Enzensberger 1974), on Wallerstein’s
‘systems theory’ in which an exploitative European ‘world centre’ caters for
tourist demand to consume peripheral exoticism (Greenwood 1977; Britton 1989),
on occulocentric practices organised by ‘experts’ and consumed by clients
(Urry 1999, 2002; Hollinshead 2009), or on the deployment of tourism as a
performative tool for collective self-aggrandizement by states and communities
(MacCannell 1973; Edensor 2002), such arguments seek to promote particular
modes of critical thinking.
As early as the 1940s, Frankfurt School-inspired critical
theory equipped tourist studies scholarship with appropriate tools to examine
tourism as an economic process, a multi-industry and a social fact (von Wiese
1930; Bornmann 1931). Indeed tourism’s contribution to an essential division of
human activities between work and leisure in Western and European societies
(Krippendorf 1986) --- which coincided with the institution of paid holidays as
a universal right (1940) --- fed into such arguments, so the critical turn
became entangled in globalised/Europeanised institutional changes, inducing new
objections to treating tourism as a universal value. From the late 1990s-2000s,
a ‘new mobilities paradigm’ (with its ‘critical mobilities’ branch (Söderström
et al. 2013)) breathed new life into these debates by employing new
methodological and epistemological tools from Complex Adaptive Systems and
Actor-Network Theory, in which ‘systems’ comprise more or other-than-human
actants that propel different types of human performance in tourism (Sheller
and Urry 2004; Hannam et al. 2006).
Regardless of their differences, all these arguments and
schools share an interest in the promotion of critical thinking. This Special
Issue seeks to bring to academic discourse what ‘critical thinking’ truly is as an epistemic mode favouring
systems, or a form of structural and/or agential meaning-making performed by
host communities, tourists, tourist design industries and scholars in tourist
studies and other cognate fields.
Topics:
Some indicative but
not exhaustive themes for possible papers are:
- The importance of systems theory today (e.g.
considerations of tourism as a multi-system; tourism and complexity
theory)
- New forms and styles of criticality in tourism
analysis
- Implementations of critical thinking in
contemporary socio-cultural contexts of tourism (e.g. disaster zones,
military tourism, dark and slum tourism or Brexit)
- Critical tourism studies and modes of host, guest
or industrial agency
- New critiques of traditional critical theory in
the field (e.g. problematic prioritizations of the economic or the
political over the cultural or aesthetic as a critical mode)
- Critical thinking and (re)definitions of
‘tourism’ and the ‘tourist’
Submissions: Abstracts of 300 words which contribute to
knowledge about the role of critical thinking in tourism contexts should be
submitted by email to both r.tzanelli@leeds.ac.uk and mkorst@palermo.edu
by no later than 15 February 2019.
Please email us your abstracts under
the title ‘RC50/ISA CfP Abstract Submission’.
The abstracts will enter a peer review process, from which
only successful applicants will be invited to submit full manuscripts. The
deadline for submission of first drafts of manuscripts is 15 March 2019. Deadline for receipt of first drafts of manuscripts
is 1 July 2019. Accepted papers will normally be limited to 7000 words, max.
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